Selasa, 26 Mei 2015

Ebook The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann

Ebook The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann

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The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann

The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann


The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann


Ebook The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann

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The Dream Songs: Poems (FSG Classics), by John Berryman Michael Hofmann

Review

“I'd be shucking my obligation not to . . . make a renewed case for ‘The Dream Songs.' It's a book that collects Berryman's original 77 dream songs and adds the further 308 he later wrote. This new edition includes a fond, funny and brilliant introduction by the poet and translator Michael Hofmann. Here is Berryman's masterpiece, one of those books of American poetry that, like certain mountains, has its own weather. Berryman found his form in these songs. They are serious, ambitious and elastic arrangements he could put everything into, high culture and low, Shakespeare as well as the blues, strong religious feeling as well as low impulses of every variety.” ―Dwight Garner, The New York Times“The character of Henry [the hero of The Dream Songs] is a permanent addition to our literature.” ―James Schevill“A major achievement . . . [Berryman] has written an elegy on his brilliant generation and, in the process, he has also written an elegy on himself.” ―A. Alvarez, The Observer

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About the Author

John Berryman (1914–1972) was an American poet and scholar. He won the Pulitzer Prize for 77 Dream Songs in 1965 and the National Book Award and the Bollingen Prize for His Toy, His Dream, His Rest, a continuation of The Dream Songs, in 1969. Michael Hofmann is an acclaimed poet, translator, and critic. He has published six books of poetry and has translated more than sixty books from the German, including Gottfried Benn's Impromptus: Selected Poems and Some Prose, as well as works by Ernst Jünger, Franz Kafka, and Joseph Roth. His criticism appears regularly in the London Review of Books, The New York Review of Books, and Poetry. He currently teaches poetry and translation at the University of Florida.

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Product details

Series: FSG Classics

Paperback: 464 pages

Publisher: Farrar, Straus and Giroux; Reprint edition (October 21, 2014)

Language: English

ISBN-10: 0374534551

ISBN-13: 978-0374534554

Product Dimensions:

5.5 x 1.3 x 8.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

42 customer reviews

Amazon Best Sellers Rank:

#357,892 in Books (See Top 100 in Books)

To say I love John Berryman's THE DREAM SONGS is a vexed statement. These poems are brilliant, inventive, exciting, and put you in a careening roller-coaster with no brakes unless you drag your feet. They are intense past imagining. Berryman himself wrote that his protagonist, Henry, has "suffered an irreversible loss". As a consequence his life is hell. I don't think you should necessarily see that sentence as metaphorical. Yes, Henry is in hell but he has been there so long he's grown accustomed to the burning and the despair. You could say every time he voices one of his "dream song" he rises above both and speaks in a firm, persuasive, commanding voice. The problem I have as a novice with these poems is one of entry. I sense there are doors and windows galore to enter and exit each poem, but I have not found them accessible.What I need are notes such as we find in volumes of Eliot, Yeats, and others. Also, a series of close reading of selected poems would provide invaluable guidance. Needless to say, you don't pick up THE DREAM SONGS for casual readings. Berryman is the Dostoyevsky of poets; be prepared for that kind of intensity and transcendence.

In the preface to Berryman’s, The Dream Songs, Merwin writes that the work was – and in my opinion, still is – a, “…primal manifestation of poetry itself.” With its broken syntax, its mediations that pit themselves against gigantic thoughts like God and the universe, and the constant, yet erratic, format, tenses and word choice, The Dream Songs, especially the initial 77 Dream Songs, indeed feel like a man who is wrestling with language in a manner that is both infantile and foreign. But no reader should assume this was accidental, much less a sign of incompetence on Berryman’s part. In his 1965 review for POETRY magazine, Frederick Seidel concluded that 77 Dream Songs were a, “…brave original work, having a magnificent obstinancy.” This is possibly the most accurate description of Berryman’s craft in 77 Dream Songs I have found. They are magnificent in their scope of content: politics, race, Greek myth, biblical allusions, and pop-culture, etc. The obstinacy, for me, refers to Berryman’s devotion to being borderline incomprehensible, and at the same time, wildly enjoyable. Berryman know exactly what he was doing; it took him 13 years to write 77 Dream Songs. In a stroke of linguistic genius, he whittled away at language until we, the reader, are left with the core details, twisted and full of knots, like a walking stick with which we can traverse the chaos of The Dream Songs.

This assemblage of six line stanzas, in precarious sonnet form, that is, Henry's de facto form, finds the text crammed and twisted, the poetic content bewilderingly mashed into many of these lines of text. What starkly emerges is the power of an intense amount of self-generated pain.The despair and self-loathing contrasts sharply with the wicked wit and occasional flash of meanness; the confessionally inclined Henry emerges as a not-too-honest, lustful and quite sad storyteller. The DREAM SONGS are anything but flawless; and yet, the flaws are so unique that they augment the collage of experience that Berryman at times compellingly depicts. Some of the SONGS are flat out brilliant, while others are just oozing with sticky pathos and self-indulgent whining. These are the loosely linked themes that bear the load of Henry's loves, losses, work-in-progress, current events, and even some domestic details.Berryman's denial notwithstanding, his Henry and Bones personas, standing unsteadily through the too-many alcoholic dawns ... well, he somehow manages to pull himself together enough to shakily get to class and lecture in order to earn some more whiskey money. And to his credit, his erudition lurks on through these self-styled sonnet songs - experimental collages, maudlin at times, fueled by the hard liquored nights.Jung would say Berryman is "too high up in his mind", a personality riddled with self-importance. Under the currents of self-loathing and pity lurks an obvious hankering for fame - and the DREAM SONGS provide the catharsis and exit for his regrets, which seem many.No, Henry is not one prone to humility - and his creator can be a real horse's ass, with many racist undercurrents weaving through the sniveling and morbid death obsessions. Yet, throughout all the textual dross, lies the glint of poetic nuggets waiting to be claimed by the metaphorically intrepid.

Berryman’s poetry is complex and deep. There were many points where I felt lost and simply decided to swim along with the words. I didn’t regret any of the time I spent with this book. I notice some reviewers observed that this is a book that you can return to year after year and I anticipate doing so myself. There is beauty here, sometimes of a very dark kind, and some passages that I would read over and over again because they seemed to so true. Highly recommended for fans of modern poetry.

Henry's pelt was put on sundry wallswhere it did much resemble Henry andthem persons was delighted.Especially his long & glowing tailby all them was admired, and visitors.They whistled: This is it!--From Dream Song 16. That final "it" is italicized.You will admire his long & glowing tail. You will whistle, as I have so often whistled, This is it. You will read these poems again and again. Indispensable.

This was the book that inspired me to attend grad school (so should I send Berryman's estate the bill?). The book follows Henry, a persona developed by John Berryman...many of the poems are autobiographical and confessional in nature.The poems are wild and yet Berryman strongly adheres to a sonnet form.A great book in the canon and not often celebrated enough.

I studied this book at the graduate level. Berryman is frequently difficult, but truly important to study for a rounded perspective of 20th century poetry. While not easily accessible, his work takes off in magical ways that always amaze. A must read for the serious poet, but consider reading other writings about these poems.

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Minggu, 24 Mei 2015

PDF Download Italian Folktales, by Italo Calvino

PDF Download Italian Folktales, by Italo Calvino

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Italian Folktales, by Italo Calvino

Italian Folktales, by Italo Calvino


Italian Folktales, by Italo Calvino


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Italian Folktales, by Italo Calvino

About the Author

ITALO CALVINO (1923–1985) attained worldwide renown as one of the twentieth century’s greatest storytellers. Born in Cuba, he was raised in San Remo, Italy, and later lived in Turin, Paris, Rome, and elsewhere. Among his many works are Invisible Cities, If on a winter's night a traveler, The Baron in the Trees, and other novels, as well as numerous collections of fiction, folktales, criticism, and essays. His works have been translated into dozens of languages.

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Product details

Paperback: 800 pages

Publisher: Mariner Books; First edition (November 15, 1992)

Language: English

ISBN-10: 0156454890

ISBN-13: 978-0156454896

Product Dimensions:

6 x 1.8 x 9 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

60 customer reviews

Amazon Best Sellers Rank:

#384,761 in Books (See Top 100 in Books)

I have -- temporarily, I hope -- mislaid my paperback edition of this book. I bought the Kindle edition prior to a trip. There are not nearly as many of the stories as in the paperback edition. I feel cheated.Update: I found my paperback edition. It contains 200 tales. The Kindle edition has 53.

It is a great collection of traditional folktales, many of which exist in other traditions in different versions. I read the Italian version as a kid and I still have fond memories of it. This translation may not be perfect in capturing the tones and colors of the original but it works. What is really poor is the overall quality of the paper, print and small font, which makes it hard to read, and the editorial work, which left here and there typos and other avoidable mistakes.

Italian Folktales by Italo Calvino is a marvelous collection of stories akin to Grimms Fairy Tales, or Charles Parrault’s Tales of Mother Goose. As the preface explains, Italy lacked, until this book, a ‘comprehensive book of Italian folk tales, one that would be representative of the entire country and intended for popular consumption as well.’ Calvino must have expended an immense effort, working through 19th century source materials, to compile these stories, but none of this scholarly toil is recorded in the book except for brief mention in the preface. The book includes no information about where and when each story appeared, what variations exist, echoes in neighboring countries, none of that. This is not a work of anthropology or literary history but, as the title says, a collection of folk tales. What distinguishes the book isn’t scholarly embellishment but the fact that the stories are collected, assembled, edited, and arranged by a master story teller.Folk tales are 33% plot, 33% conflict, and 33% theme. Little attention goes to setting (once upon a time in a land far away) or character, (there was a barber who had three sons). Vaguely described settings and stereotyped characters help make these stories understandable to anyone at any time or place. Where plot is preeminent, who better to hold the tiller than Calvino, a master of plot. Consider his If on a Winter’s Night a Traveler, a novel in which the narrator engages the reader regarding the plot several times and still succeeds in drawing attention back to what happens next in the story with the intensity of a spy thriller. His sure hand of story-telling was precisely the hand needed to arrange these folk stories.The collection begins with ‘Whoever Loses His Temper Loses the Bet’ and ends with ‘The Lame Devil,’ and delivers in total 53 nuggets of narrative, involving giants and fairies, monkeys and ducks, kings and hunchbacks. Enjoy.

I'm glad I bought this book. This is one book I've wanted to read for many years and never seemed to have the time and so finally decided to just buy my own copy. I was hoping the stories and prose in this book would be as rich as Grimm's Fairy Tales but it seems to not be the case. The stories are much shorter and the prose is not as rich. The tales seem to be more like micro stories and the imagery seems to be lacking. Maybe I am being overly harsh in my criticism but overall I was disappointed with the book. I am going to keep my copy in spite of my frustrations with it. I wonder sometimes if the problem lies in the translation from Italian to English because a lot of linguistic nuances get lost in translations. Perhaps the Italian copy is a more enjoyable read (I suspect so) as is the case with many translations.

When I was a bride my husband gave this to me in Italian. Now that I'm ancient myself I wanted to consider each story within my native language. Each tale is remarkable, because of its honing over centuries to the traditions of a specific city-state within the now unified Italy. The themes are decidedly different from those of Germanic origins. Perhaps these will set your heart wisdom aflame.

I think the most fascinating part of the book is the appendix where the author deescribees how he piece together these stories from vastly different sources. My only objection is that some of the stories are just variations of earlier told stories.

Want your kids to be smarter? Read them this! Science says reading folk tales to kids expands their mind.

The folktales are fascinating, I am interested in Italian culture, and this book is just a joy to read.

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Sabtu, 23 Mei 2015

Free Ebook The Big Book of Spanish Phrases: 2 Books in 1: 101 Spanish Phrases You Won't Learn in School + 200 Essential Intermediate Spanish Phrases for Fluent Conversation. Over 300 Essential Spanish Phrases

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Product details

Paperback: 136 pages

Publisher: Independently published (February 8, 2019)

Language: English

ISBN-10: 179647374X

ISBN-13: 978-1796473742

Product Dimensions:

6 x 0.3 x 9 inches

Shipping Weight: 9.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#230,993 in Books (See Top 100 in Books)

a great combination of important and little-known phrases. The audiobook version is especially good.

this is a great starting point for someone that is looking to improve their speaking and listening comprehension especially. It does have some of the more typical phrases but it also has a lot of phrases I’ve never heard. It’s clear the author understands the language

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The Big Book of Spanish Phrases: 2 Books in 1: 101 Spanish Phrases You Won't Learn in School + 200 Essential Intermediate Spanish Phrases for Fluent Conversation. Over 300 Essential Spanish Phrases PDF

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Kamis, 21 Mei 2015

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Product details

File Size: 22354 KB

Print Length: 406 pages

Page Numbers Source ISBN: 1944480447

Publisher: Rothstein Publishing (November 29, 2017)

Publication Date: November 29, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B078RR9XWJ

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Amazon Best Sellers Rank:

#173,490 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

My only complaint is the density of this book, I have highlighted and dog eared too many pages. Each concept and approach is well though out, and practical in its planning. I've not finished the text but am page turning each chapter like a mystery novel. I highly recommend this work in paperback as you will be returning to items you-too will be dog ear'ing!

Excellent book covering the basics through advanced concepts.

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PDF
PDF