Ebook Free More Twist-and-Turn Bargello Quilts: Strip Piece 10 New Projects, by Eileen Wright

Ebook Free More Twist-and-Turn Bargello Quilts: Strip Piece 10 New Projects, by Eileen Wright

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More Twist-and-Turn Bargello Quilts: Strip Piece 10 New Projects, by Eileen Wright

Ebook Free More Twist-and-Turn Bargello Quilts: Strip Piece 10 New Projects, by Eileen Wright

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Review

Eileen Wright is back with more beautiful Bargello! In her second book, Eileen offers up ten new projects ranging from baby quilts and bed runners to queen-size quilts, along with her simple and precise instructions for fabulous results every time. --Popular Patchwork - Oct 2013Wow, the quilts in this book are amazing. Eileen shares all her tips for selecting fabrics and accurate piecing to create stunning Bargello quilts. The 10 patterns included are incredible, plus there is a gallery of inspirational Bargello quilts. --Australian Quilters Companion, November/December 2013Bargello quilts have long been popular with quilters, and this stunning book by veteran quilt teacher Eileen Wright does not disappoint. Succumbing to the demands of her fans, Eileen designed ten new strip-pieced projects in this sequel to her ever-popular book, Twist-and-Turn Bargello Quilts. The designs, which appear to undulate and bend in fascinating ways, seem to be somewhat daunting at first. However, Eileen's organized quilt-by-number technique, which utilizes numbered charts, is easy to follow and takes the guesswork out of the process. Ranging in size from baby quilts to bed quilts, this book is recommended for intermediate and advanced-level quilters. --The Quilter Magazine, April/May 2014

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From the Inside Flap

By popular demand, here's the sequel to the best-selling Twist-and-Turn Bargello Quilts. Find 10 stunning bargello quilts and learn Eileen's efficient and fun quilt-by-number technique.

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Product details

Paperback: 80 pages

Publisher: That Patchwork Place (July 9, 2013)

Language: English

ISBN-10: 1604682590

ISBN-13: 978-1604682595

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

62 customer reviews

Amazon Best Sellers Rank:

#100,988 in Books (See Top 100 in Books)

I have never made one of these quilts before, but always wanted to. The directions look easy to follow if you are careful. I will repost once I have made the quilt.Update. I have been working on this quilt for months. Working on 2 color runs. White to Black and light blue to turquoise. Two pieces of advice. One forum mentioned cutting the strips in half so they are about 20 inch long before sewing them together to help prevent the bowing of the strips. I am trying this and it seems to work better. Another tip. I sewed all my panels together and then realized some of my colors are out of order. Make 1 full panel first to make sure you are happy with the strip arrangement before moving on. I have a lot of un sewing to do that could have been prevented.Update with photos. Going good so far. Good clear directions. I am finding them easy to follow thou they do make you take a moment and think about what you are doing. Basically you are taking 20 or so fabrics, cutting them into strips and sewing them into panels in color order. Then you cut across these panels to make design strips. You then take these strips of color, rearrange them and eliminate some colors to form the pattern. I found using a shape cut sprint June Tailor Shape Cut Sprint helpful for making the initial strips. I also wrote the numbers on the salvage of the fabrics to keep them in the right order. I also took the design chart copied and enlarged it to make it easier to read, and can mark them off as I complete them. Finally, I lay out one new design strip and then the other to make sure they are correct and the same before sewing. I also have a numbered color strip on the wall in my sewing area for easy reference. Not a weekend project, but hang with all the prep and the results will be worth it.

OK so the book gets 4 stars, It has some great patterns, although I wish there were more actual bed size patterns, who wants a quilt to hang on the wall? My grandmother maybe, but she's not around anymore. If I make a quilt, I want to be able to use the quilt. OK now about the format - I will never, ever buy an instruction manual again in the Kindle format. I was thinking when it actually came time to sew and follow the instruction of which pieces to connect where, I would print out the map page to follow. (in bargello quilting you are constantly referring to the pattern). Well I didn't really realize that they protect the content in Kindle form so that you cannot print it. Very frustrating to have to constantly wake up your tablet to view the page, rather than have the page taped up above your work area to see.

I purchased this book primarily for the quilt pattern on the cover. Several of the patterns look beautiful and I cannot wait to make them. Instructions are very clear and easy, and even a novice should be able to follow these patterns (assuming the novice can reliably cut and sew the long strips accurately).Con- 2 of the patterns are nearly identical (from my aesthetic view point) and are both very like one from the previous book. However I purchased this book knowing that as I wanted the other patterns. It is just something I felt others might want to know.

I have made two quilts from the original "Twist-and-Turn" book and was very satisfied with the results and ease of understanding her directions. I have already picked out one from this book that is still in the planning stage. I am sure it will also be a success. I recommend either of Eileen's books.

I have always loved bargello. I have made many needlepoint wall hangings using the bargello technique. Now that I am quilting, I am thrilled to have a book which clearly describes how to make a bargello quilt. The instructions seem to be well written and I am more than ready to get started. Currently getting my fabric together so that I can make one of the quilts in this book.

Great book with nice patterns.

I love the patterns in here and the instructions are easy to follow. There were some times I wished I got the physical copy instead of the kindle but thats mainly when I'm flipping through looking to browse the patterns instead of when I'm using a specific pattern, the kindle version is fine to follow along with the pattern I'm making

Love this book and so easy to follow. Thank you so much

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Free Download , by Betty Edwards Betty Edwards

Free Download , by Betty Edwards Betty Edwards

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, by Betty Edwards Betty Edwards

Free Download , by Betty Edwards Betty Edwards

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Product details

File Size: 49273 KB

Print Length: 221 pages

Page Numbers Source ISBN: 1585422193

Publisher: TarcherPerigee (September 23, 2004)

Publication Date: September 23, 2004

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B00CB1CLCQ

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Amazon Best Sellers Rank:

#105,749 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

If you paint and use color, or just want to appreciate color in painting, this is the book. What makes Betty Edwards a wonderful teacher is her ability to question what she is doing as a teacher and then find ways to introduce new ways to study the material so as to bring the essence of the lessons home to the student. In this book she explains that her students were not grasping the essence of color and how to render it effectively. After some thought she developed new lessons that explained to the students how to understand and use color. These lessons are now brought to us in the form of this tomb.I have executed the lessons, and they work. Even though I have been painting for 10 years I learned a lot from this book and doing the exercises. Doing the exercises is key, but they are very straight forward to do and one can learn even in "failure" (I had to do a couple of them more than once).So there you have it. This is an instructional book that works in that it communicates to the reader (student) lessons about color and color usage that are invaluable. The lessons are clear and the results of doing the lessons are an increased understanding of art and color.Highly recommended.

This is a wonderful introduction about color and color theory for the beginner, but it doesn't go beyond what is taught in art classes at the high school and beginning introductory classes at the college level. I was hoping for expert tips and something about how color palettes work in paintings. Of course, if you're just getting started in art and not attending college or an art school, this is a worthwhile book.

I cannot say enough good about this book. Being new to color mixing and understanding color in the "painting" world, I needed solid, basic information; it is not only there but done intelligently and clearly. She is asking you to use acrylics in the exercises to simplify the process, but I have actually started with watercolors and am still getting what I need in the way of a good learning experience. Have learned how the brain changes what we are actually seeing, how colors influence each other when in proximity, and all the color wheel basics. I bought a used copy so I could mark it up! I will be using this info in my fiber work from now on!

I first checked this book out of my local library and loved it so much I kept it for almost a year. I returned it the day after my Amazon copy arrived and the fine was worth every penny. I had struggled with my ability to produce watercolors that I liked. This book changed everything. Through a mixture (no pun intended) of theory and exercises, it helped me understand how to achieve perfect results. It is a constant reference. I have simply found no better book on understanding color.

When I saw the book about COLOR by the renown author of "Drawing on the Right Side of the Brain" I expected something new and perhaps radical concerning color in art. But the information in the book is the same old same old information and terms in hundreds of aging books in the library and on the racks at art supply stores. The book was a disappointment and I am now using it under the leg of my table that was wobbling. There was nothing new and interesting in the book.

At last a book on Colour that explains clearly, with exercises for practice, the various aspects of colour use. Finding the values of colour on a black & white grid I have always found impossible. Now it's clearer.Betty Edwards writes clearly, obviously loves her subject and is accustomed to imparting information to students at all levels.Furthermore, the font size in this book is great and easy to read, particularly for mature aged artists.I would recommend this book as a must for all artists from beginners to those more experienced who have, like me, struggle to master the nuances of getting the correct value in colour.

If you want to dig deep into Color theory, this is an excellent book. This is a textbook and not your typical how-to art book.

Excellent book on color theory. I'm a makeup artist and used to paint as well. I thought this contained great information for anyone who works with color on a regular basis.

Very great fundametals lighting basic and color pigment theories - the half of book was all in my mind now - especially the color combination and theories of color circle with 3 attributes hsb- even im practing with digital device but they still really helps my basic understanding - i opened my mind on how to understand and knowing - and the best is seeing and picking the color -Perfect for fundamental worksT

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Ebook Download The Science Fiction Hall of Fame, Vol. 1: 1929-1964, by Robert Silverberg

Ebook Download The Science Fiction Hall of Fame, Vol. 1: 1929-1964, by Robert Silverberg

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The Science Fiction Hall of Fame, Vol. 1: 1929-1964, by Robert Silverberg

Ebook Download The Science Fiction Hall of Fame, Vol. 1: 1929-1964, by Robert Silverberg

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Review

“A basic one-volume library of the short science fiction story.” ―Kirkus on The Science Fiction Hall of Fame, Volume One“Quibbling about the choice of the prize winners would be like arguing with the pros who vote on the Academy Awards.” ―Publishers Weekly on The Science Fiction Hall of Fame, Volume One“The first definitive modern anthology of top science fiction stories.” ―Newark Sunday News on The Science Fiction Hall of Fame, Volume One“Libraries can toss out worn collections of partly good/partly poor and buy this volume of the creme de la creme.” ―Library Journal on The Science Fiction Hall of Fame, Volume One“Not for years has there appeared a collection of stories so remarkable, so profoundly enjoyable, so full of that marvelous 'remember when' quality, and, for the absolute beginner, so rewarding and informative a reading experience.” ―Theodore Sturgeon in the National Review on The Science Fiction Hall of Fame, Volume One

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About the Author

Robert Silverberg is a past president of the Science Fiction Writers of America, has published stories in all of the major science fiction magazines, written numerous science fiction novels, and is considered one of the greatest authors in the field. He is an award-winning author and has edited the New York Times bestselling anthology Legends.

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Product details

Paperback: 576 pages

Publisher: Orb Books; First edition (February 1, 2005)

Language: English

ISBN-10: 0765305372

ISBN-13: 978-0765305374

Product Dimensions:

8.2 x 5.5 x 1 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

223 customer reviews

Amazon Best Sellers Rank:

#20,227 in Books (See Top 100 in Books)

This was a great read. The stories, practically without exception, were superlative SF: imaginative, clever and very well written. I even feel somewhat ... saddened ... to realize that many of the stories, and one in particular (from the mid-to-late 40's), were much, much better written than a lot of the work available today: I enjoyed everything immensely, but was amazed to discover this writer of nearly 70 years ago seemed to have a much better understanding of (and abilty to utilize) basic grammar, mathematics, and rudimentary scientific principles than do many of the "modern" authors I have read. Indeed, the capacity of readers to understand what many of these wonderful authors from long ago took for granted, could easily be described as "advanced" topics and concepts for many contemporary readers. I highly recommend this to fans of SF short stories. A few of the stories you may already know, but to me, they were even better on re-reading. Altogether, it's a wonderful anthology of many standout works and I am very glad I bought it.

The SF Hall of Fame series was established to recognize quality SF writing before the era of the HUGO and NEBULA awards. What a wonderful gift to the early SF pioneers who were shamefully treated by the mainstream of creative writers. Of course, SF writers themselves changed these negative impressions by the higher literary standards achieved in the 1950s and beyond by such writers as Arthur C. Clarke, Ray Bradbury, Isaac Asimov, Roger Zelazny, Ursala Le Quin, Joanna Russ, Frank Herbert (I'm having fun proving my point with this list, which could go on and on . . . .). This first volume is framed by two stories of a journey to Mars: "A Martian Odyssey" from 1934 (I wanted to make a movie version with Jack Nicholson as the hero) and "A Rose for Ecclesiastes" from 1963 (I wanted to make a movie version with Jack Nicholson as the hero). In those intervening 29 years SF writing matured from Stanley Weinbaum's rather primitive pulp fiction to Roger Zelazny's stunning modernist prose. The first story is just an action fantasy, with little science and the most rudimentary fiction techniques. Still it's a great read! It has action, humor, suspense and one of the great alien characters in the whole genre, the bird-like and noble-hearted Martian, named Tweel. Trust me: once you meet Tweel you will never forget it (?). The later distinction between Hard SF and Soft SF did not yet exist and I doubt it would have mattered to Weinbaum, who was not a professional writer. However, three decades later, we have a very professional, and polished writer in Roger Zelazny, who had internalized the main currents of modern literature as his references to Hart Crane, Rainer Maria Rilke, the Mahabharata, Shakespeare, Rimbaud attest. You get the point. For Zelazny, goddamit, SF is literature and occupies its own niche in world literature. His main character is a poet, an anti-hero with illusions of heroism, a scoundrel and a brilliant, imaginative individual who single-handedly saves a dying civilization from imploding. And what does he get for his efforts. Nothing, no material rewards, no recognition. In this, he resembles the existentialist anti-hero of main stream fiction in the 1960s. And Zelazny's style is breathtaking: metaphorical, lyrical, sarcastic (even sardonic), allusive, persuasive and, beneath Gallinger's tough talk, deeply moving, even empathetic. And Zelazny knew he was writing Soft SF, so he could indulge his imagination in creating his version of a SF Mars and an alien race inhabiting it. The distinction between Hard and Soft forms of SF clarified the intentions of writers so that their readers did not misinterpret the results. This volume is contains a plethora of short masterpieces which together create a vivid primer in the varieties of SF.

This is a collection of very good early science fiction. The selection is varied enough within the genre that you will find something to love here. No complaints about the quality of the writing. The readers all range from good to excellent as well. Where this collection fails is in the packaging and presentation.The disks all come in a thick plastic box that does not stay reliably latched. The disks sit loosely on a spindle inside this case, I guess there's about twenty of them. Nowhere in the package is there a table of contents showing which work is on what disk, and which chapters. They just run, one after another. About half the disks skip badly on the last chapter, they may or may not for you. As this is CD encoding rather than mp3, each story spans two or three disks. You fiddle around, sorting through a stack of loose cds, to swap out and continue the story. This is just not the way to package a collection of this kind.While I love most of these stories, the substandard packing will prevent me from buying the other two volumes.

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The Science Fiction Hall of Fame, Vol. 1: 1929-1964, by Robert Silverberg PDF

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