Rabu, 30 Juli 2014

Free Ebook Collector's Encyclopedia of Stangl Dinnerware

Free Ebook Collector's Encyclopedia of Stangl Dinnerware

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Collector's Encyclopedia of Stangl Dinnerware

Collector's Encyclopedia of Stangl Dinnerware


Collector's Encyclopedia of Stangl Dinnerware


Free Ebook Collector's Encyclopedia of Stangl Dinnerware

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Collector's Encyclopedia of Stangl Dinnerware

Product details

Series: Collector's Encyclopedia

Hardcover: 320 pages

Publisher: Collector Books (November 1, 1999)

Language: English

ISBN-10: 1574321528

ISBN-13: 978-1574321524

Product Dimensions:

9 x 1 x 11.5 inches

Shipping Weight: 2.9 pounds

Average Customer Review:

4.5 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#1,999,512 in Books (See Top 100 in Books)

There is no better source of Stangl pottery. This book is incredibly informative and a valuable addition to the Stangl collector enthusiast! Thank you, Mr. Runge for your dedication. I hope your museum becomes a reality.

Met expectations.

God guide includes all the Stangl patterns.

very helpful

Absolutely the finest example to date of thorough and organized research! The history of Stangl dinnerware is presented in chronological order of the development of patterns; the history of the pottery and its people is both factual and entertaining. Mr. Runge's knowledge of the pottery and the people who made it great is vast and he shares it with the reader. This is more than a picture-price book - it's informative and interesting reading as well.Suggested prices are presented with the pattern they represent and are reflective of a nation-wide market, not just the New Jersey "going prices" we have seen before. I would recommend TWO books - one to keep "for nice" and one to use while shopping. You will find the photography to be excellent and detailed - you can actually identify patterns with confidence.Previous books seem to have been thrown together to get a book in print and are sadly out of date and incomplete. This one reflects years of research and thoughtful presentation. Absolutely a must for Stangl collectors and dealers!

As a member of the Stangl/Fulper Collectors Club, I, and the rest of the club, had been waiting five years for this book to finally be published (I was beginning to think the book may have been a hoax). And now that it finally has been released, I am very disappointed. The book as a whole seems very disorganized, it is difficult to find items, the color pictures are horrible (the color separations are way off throughout the book, which is supposed to be resource guide) and the writing is grade-schoolish at best. I expected a far more polished work from someone who is supposed to be so knowledgeable. The pricing guides are also questionable at best, with some items very undervalued, and others overvalued. I have to wonder if the author and his partner have set the prices to reflect their current inventory as they are also dealers of Stangl & Fulper potteries. Additionally, the book is far too large and cumbersome to carry with you when you shop, that is a definite drawback. Other books on the same subject are far more portable and conducive to collectors out shopping.

Once again Rob has announced himself as the premier Stangl Historian.As President of the Stangl Bird Collectors Club. . . I refer my membership and others to this book when questions arise, that do not pertain to our particular specialty. The pictures and descriptions are complete and the references are precise. Rob continues to be the leading promotor and disseminator of Stangl/Fulper information to those who love collecting these items. This book would be a valuable resource for anyone interested in the pottery at all. Pick it up.

This is one of the finest reference books in the industry today. Thoroughly researched and no stone left unturned, in fact, a remarkable manuscript by anyone's standards. I can hardly wait for his sequel to come out on Stangl Artware, Lamps and Birds. I hear its going to be a doozy!!I strongly suspect that Mr. Harvey Duke still has a lot of his own books to sell and has sent one of his henchmen to "stir the pot". FOR SHAME!!

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Ebook Free

Ebook Free

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Ebook Free

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Product details

File Size: 842 KB

Print Length: 255 pages

Publisher: NYU Press (August 1, 2001)

Publication Date: August 1, 2001

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B004H0N01K

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Amazon Best Sellers Rank:

#1,170,541 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book traces the history of copyrights. The earliest British copyright laws were instruments of censorship. The publishers got monopoly power to print and distribute specific works. The book says that Thomas Jefferson expressed some serious misgivings about copyrights. Thomas Jefferson was suspicious of concentrations of power and artificial monopolies. While Thomas Jefferson acknowledged that a limited time copyright could possibly encourage some creativity, it could also do some harm to some people. The book points out that Thomas Jefferson maintained his skepticism about the benefits of copyrights for many years. Thomas Jefferson feared the monopolists could use their state-granted power to enrich themselves by the copyright holder having the power to create artificial scarcity by limiting access and fixing prices. This book is an interesting and relevant book to read.

I am not sure how I found this book - but I am glad that I did. In about 200 pages Professor Vaidhyananathan presents a very readable history of the copyright in the US and abroad.Originally added to the Constitution to encourage creativity and to improve the democratic process, the copyright has evolved into a series of complex rules that seem to work almost in the opposite direction of the original intent.Have you ever wondered how Mark Twain and Groucho Marx figured into the discussion of copyright issues? If so you can find out in this book - they both had very interesting roles. What about the diversity of legal opinions - from Lawrence Lessig, to the Ninth Circuit, to Mr. Justice Hand - all of who grappled with the rights of the few versus the rights of the many.Added to the history is an intelligent and readable discussion of the policy issues related to the copyright. What kinds of policies will balance the creator's incentives and at the same time improve the level of public discussions? How long should rights survive? What elements should be included in the copyright? What are the reasonable standards for parody? Should there be differing standards for databases, books, movies, music and computer programs? The risk for all of those questions is that they can evolve into hopeless discussions of legal absurdities. In effect, that is what happened with the Digital Millenium Copyright Act.But Vaidhyananathan does not let himself get stuck in all that goo - he deals with each of those issues and more in a concise and interesting fashion. At the same time he has the larger picture of the broader purposes of copyright.You will be challenged and fascinated by this book and the issues it raises.

Great read raises many questions about copyright and how we got to the point we are at with it in the digital era.

I don't agree with everything, but he seems to have a good grasp of the constitution and how commercial interests keep trying to thwart the intent of Article 8. Recommended.

I have been reading your book and am alternately exhilarated and despairing. From other research on the web on this issue, I keep seeing over and over that without copyright protection, people wouldn't have incentive to create. What a load of muck. Creative people NEED to create. They also need to not starve to death, of course. But creating things in and of itself is rewarding. If money is what motivates someone, they should become stockbrokers or something that more honestly reflects their values. I think that motivation by money, and creativity are almost mutually exclusive; once money becomes the motive, creativity is dead, or at least mortally wounded. I know the thrill of creating. I do art without any compensation at all, because I need to and want to, and have been a computer programmer for years, marvelling that someone was willing to pay me for something that is so much FUN! Creativity is inherently rewarding.

This semester my son and I were determined to purchase as many textbooks through Internet vendors to try and save some money. In fact one of his instructors did not order texts through the bookstore and wanted students to use the Internet. This book was one of them. It arrived in a short time and this experience will definitely make us try again purchasing texts through the Internet in future semesters.

... and we never ended up using it.You guys should really include a "can't review" box.The three stars in this case are only to indicate it is neither bad nor good.

Siva Vaidyanathan had translated a sometimes incredibly misunderstood concept/subject into a reasonably understandable story. And, even more incredibly, it was written by a non-attorney (Siva is a professor at the U. of Wisconsin, School of Information Studies). "Copyrights and Copywrongs" covers the history and bastardization of American copyright law. Siva attempts to make relatively simple suggestions for fixing our complex, arcane system of protecting intellectual property rights.Siva begins his "story" recounting in incredibly understandable terms, the history of the copyright ranging from the framing of the U.S. Constitution, the rights afforded musicians (recently challenged by the likes of ...) and of course, literary and digital works. Siva does not concentrate on the theoretical nature of this quagmire rather, he examines the issues as it relates to current issues and events making the content interesting and readable. He argues, very persuasively, that the current copyright laws in their punitive and restrictive form y hinder creativity and free expression. Further, he compellingly argues that the original intent of the laws were designed for flexible application to maintain cultural balance.The issues framed in this book encompass the very future of creativity vital to industry, commerce, and free expression. A very enjoyable read even given the somewhat difficult nature of the subject matter.

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Sabtu, 26 Juli 2014

Ebook Download The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman

Ebook Download The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman

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The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman

The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman


The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman


Ebook Download The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman

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The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman

Review

The Gilgamesh Trilogy:“A powerful version of the Gilgamesh epic…a stirring and sad tale.”–The New Yorker

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From the Inside Flap

In his final quest, Gilgamesh, still mourning the death of his dear friend Enkidu, sets out to find the key to immortality. His journey is perilous. He must fight ferocious serpents and wild lions. He travels through bitterly cold caves, across scorching deserts, and over the fatal waters of the Sea of Death. Finally he arrives at the palace of Utnapishtim, the only human who knows the secret of immortality. Utnapishtim sets Gilgamesh a test to stay away for six days and seven nights, but Gilgamesh fails. His last hope, a flower of eternal youth, is eaten by the goddess Ishtar, who exacts her revenge. Finally, Enkidu comes from the underworld to show Gilgamesh true immortality: the king will be remembered for his good deeds, courage, and love for his people.

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Product details

Age Range: 7 - 9 years

Grade Level: 2 - 4

Series: The Gilgamesh Trilogy (Book 3)

Paperback: 24 pages

Publisher: Tundra Books; Reprint edition (April 25, 1998)

Language: English

ISBN-10: 0887763804

ISBN-13: 978-0887763809

Product Dimensions:

10.3 x 0.2 x 11.4 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#196,673 in Books (See Top 100 in Books)

First, a review of this book, then a comment about the series.We ran into this book about twelve years ago. We were doing a homeschool unit on the Sumerians, and this was a very welcome addition to our curriculum. The kids loved the beautiful pictures, well-researched detail, and delightful story. At the time I thought "too bad this artist doesn't do the rest of the epic".Foolish us -- it would have taken just a little digging to find that she did! So don't stop here, get the rest of the series. This is a masterpiece of both art and boiling a long story down to its essence.

The artwork was lovely. The language was good.It's just such a pity that it wasn't actually the story of Gilgamesh. I purchased it to share this story with my children as part of our studies in literature and history. After pre-reading it, I won't even bother reading it to them. I haven't got time to un-teach. It's simply not Gilgamesh. They'd be better off watching that Star Trek episode than this drivel. They'd come to a more actual understanding of the myth-cycle.

Re "Gilgamesh the King": My long attention span 3 year old is smitten with this book and has requested it twice a day for a week. She loves the illustrations which are charming and not dark. This volume ends on a happy note -- good transforms evil thru the power of generosity and love. If this doesn't sound like the epic as you remember it, well, technically it is not, but the liberties the author has taken with the story make for better reading for the preschool set! I think age appropriate versions are an excellent way to introduce materials which can become increasingly complex over time. If you are aiming for a telling which is close to the original, this is not the book for you. THIS volume succeeds in reaching listeners who can tolerate a couple paragraphs of text per page with an uplifting message and visual imagry consistent w the art of the region. Quite an accomplishment!

Age Recommendation: 8 - up; Around eight children start to develop a taste in historical books, such as legends. Gilgamesh is a not as well-known epic about the Mesopotamia region. The picture book is also part of a three book series.Summary: Gilgamesh was sent by the Sun God to rule over the city of Uruk. He was part god, and part man. He did not have any friends, and was a cruel king. He decided to build a wall around his city. The people in his city originally supported his wall, but eventually grew tired and frustrated. His people prayed to the Sun God, and the sun god sent Enkidu. Enkidu lived with the animals, and was a good man. Enkidu prevented a man from killing an animal with his god-like strength. The man told Gilgamesh about Enkidu's strength, and Gilgamesh was furious. Gilgamesh sends a beautiful singer to the woods to lure Enkidu to the city. Gilgamesh wanted to kill him in front of the city to reinforce his reputation. The beautiful singer and Enkidu fell in love. Enkidu left the forest and his animal friends, and went to the city to challenge Gilgamesh. Gilgamesh and En kidu fought, but were equal in strength. Gilgamesh tripped, and would have died if Enkidu did not save him. After Enkidu saved Gilgamesh, they became friends. Once Gilgamesh had a friend, he stopped work on the wall, and there was peace in the city.Critical Review: Gilgamesh the King is written and illustrated by Ludmila Zeman. Zeman begins the picture book in the expected, "Long ago in the land of... " which sets the stage for a traditional folktale (p. 1). The illustrations also support the folktale, by using `ancient' looking images. The colors also look gold based, which makes the images look older. The images bring the words to life. For example, when the story is talking about all the men in the city building a giant wall around the city. You can see the magnitude of people, and the height of the huge wall (p. 3-4). Without any words, it would still be very easy to tell the epic of Gilgamesh based on the pictures. Although this story is part of a trilogy, it can stand alone. It has closure, and tells a complete story. Also, some historical information about the epic of Gilgamesh is included after the story. I appreciate the use of rhetorical questions throughout the text. For example, after Enkidu sees a man killing an animal, he asks himself, "Why would anyone want to do that?" (p. 6). The text includes both more complex sentences. For example, "The earth shook and lightning flashed across the sky, as if the gods themselves were fighting for control of the world" (p. 16). The text also includes short, simple sentences. For example, "He was no longer alone. He had found a friend" (p. 19). The longer sentences tell an elaborate story, while the shorter sentences focus on the meaning of the sentences. The book kept me engaged as a college student, and I think an intermediate reader would definitely be interested in the historical significance of one of the first epics ever written down, and the action of the folktale itself.

This is the third book in the trilogy. It is beautifully illustrated. I used it in school after showing a video on great literature in which the author explains her motivation for writting the books.

Using for school. My 3rd grader was able to see, understand and describe the comparison and contrast to the Biblical stories and see the difference between man made versions and the God-given true version of historical events.

This book was going to be a birthday present for my grandson, and it is a beautiful and meaningful book with gorgeous illustrations, a retelling of one of humankind's oldest stories. But the book arrived in a thin flexible package, which allowed the book, a paperback, to crease in several places. It is not present quality.

Bought for 5- and 7-year old boys who are studying Sumerian civilization, and enjoyed immensely by both. The writing is evocative but not too course, and the last page of each of this series has an overview of historical and thematic aspects of the story and time that were very useful for home study. We used these in concert with an online interactive archaeological excavation program out of the University of Chicago, and I think the fact that the illustrations evoked the kinds of artifacts the kids found really made concrete that this story was not just like the other fictions books my kids have, but a story that functions as a window into a long-gone time. We also really enjoyed discussing how themes in this story (such as the flood and the serpent and immortality) would come up later, both in Greek mythology and in Christian mythology.Altogether a fantastical account of an already interesting story with evocative illustrations. The only negative is that I wish something like this existed for general Sumerian mythology, as the author is adept at referring to otherwise non-child-friendly themes in ways that suggest but do not elaborate.

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Kamis, 24 Juli 2014

Ebook Earth Science, Teacher's Edition

Ebook Earth Science, Teacher's Edition

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Earth Science, Teacher's Edition

Earth Science, Teacher's Edition


Earth Science, Teacher's Edition


Ebook Earth Science, Teacher's Edition

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Earth Science, Teacher's Edition

Earth Science.

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Product details

Series: Holt Earth Science

Hardcover: 954 pages

Publisher: Holt; 2006 edition (2004)

Language: English

ISBN-10: 0030363632

ISBN-13: 978-0030363634

ASIN: 0030735440

Package Dimensions:

11.4 x 9.5 x 1.7 inches

Shipping Weight: 6.5 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#1,648,029 in Books (See Top 100 in Books)

The book’s front cover has been ripped off at some point and was taped back on with clear packing tape. To be honest, this text book looks like it was used in a street fight.

This textbook navigates you easily and clearly through topics. You can skip or switch them. Also, there are some good simply ideas about the science projects. Moreover, I love the colored pictures, but it is me!

Condition of the book was excellent. I bought it because this is the text in my son's class and it is a very large book to be toting back and forth to school everyday. Thank goodness it 12 years and therefore inexpensive to purchase.

Better than the book they gave him in school

good for price

Great book for my sons Science Curriculum!

Very useful for my son.

Great product for a great price! Fast shipping! Thanks!

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Minggu, 06 Juli 2014

Download PDF Grass For His Pillow, Episode 2: The Way Through The Snow (Tales of the Otori, Book 2), by Lian Hearn

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Grass For His Pillow, Episode 2: The Way Through The Snow (Tales of the Otori, Book 2), by Lian Hearn

About the Author

Lian Hearn is the pseudonym for a writer, currently living in Australia, who has a lifelong interest in Japan, has lived there, and speaks Japanese. Riverhead will publish Hearn's next book, Heaven's Net Is Wide: The First Tale of the Otori, the prequel to the Otori series, in 2007.

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Series: Tales of the Otori, Book 2 (Book 2)

Mass Market Paperback: 320 pages

Publisher: Firebird; First Edition edition (September 8, 2005)

Language: English

ISBN-10: 0142404322

ISBN-13: 978-0142404324

Product Dimensions:

4.2 x 0.5 x 6 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

120 customer reviews

Amazon Best Sellers Rank:

#161,919 in Books (See Top 100 in Books)

The story and descriptions made you feel as if you were there. I do not live where it snows, so the descriptions of the coldness made me glad that I live in southern California. Looking forward to reading Book 3.

One of my favorite reads. The main character is beautifully portrayed in a historical Japanese venue. The writing is superlative and creates detailed scenes easily envisioned. Best of all, though this is part of a series of books, each stands well on it's own. Try a sample; I'm sure you'll want to read all of it.

This is the second book in the Tales of the Otori series by Lian Hearn. This book picks up where the first left off. Takeo leaves Kaede for training under the mysterious Tribe; whose supernatural abilities Takeo has inherited from his father. As his training concludes, and he is asked to take out certain missions, he must ask himself if his loyalties will lie with the Tribe or with the Otori? Kaede meanwhile is left on her own to return home and see what state her family is in. Kaede struggles to consolidate her power and claim the inheritance she was left in a world that is run by men.This was a fitting second book for this series. It moved along at the steady, descriptive pace of the second book. Although for some reason I found myself getting bored while reading this book. The lush descriptions, while detailed, didn't bring the book to life in the way I hoped they would. I had a little trouble understanding some of the stupid decisions made by Kaede and Takeo along the way. Despite these misgivings, if you liked the first book you must read the second book. It is very much in the same style of the first book and continues the story of Kaede and Takeo. This book definitely builds to a climax preparing you for the war and conflict of the third novel.

Rating System:1 star = abysmal; some books deserve to be forgotten2 star = poor; a total waste of time3 star = good; worth the effort4 star = very good; what writing should be5 star = fantastic; must own it and share it with othersSTORY: From back cover: "Takeo has now been claimed by the Tribe; held by them against his will, he is condemned to work as an assassin. Meanwhile, Shirakawa Kaede must try to unify the domain she has inherited, while fighting off would-be suitors and hoping that Takeo will return to her."MY FEEDBACK:1) You don't really need to read the first book to understand this story because the author does enough reflection and backstory to get a reader up to speed. BUT...it is so much better if you do read Across the Nightingale Floor first.2) The characters of Takeo and Kaede are explored more and we as readers continue our bond and love for them. Kaede plays a much larger role in this book than the first.3) This second/middle book doesn't seem to suffer from middle-book syndrome but continues with the same strength as the first. The first book resolved enough without having to read this book, but this book definitely sets the stage for interesting events to happen in the 3rd book.Very little is resolved in this book. This book was truly the rising action of the series making you feel that the climax is just around the corner and me as a reader anxious to get there.4) The same actors come back to this book to do the voices in this unabridged representation of the book. The acting is very well done and enjoyable throughout.OVERALL: Fantastic continuation. I can't wait till the end of the trilogy!

Grass for His Pillow is the continuation of the Tales of the Otori series about young Takeo. This book resumes where Book One, Across the Nightingale Floor ends. Thankfully, the story continues. The vivid descriptions, the mental portrayal of the scenery in which young Takeo & the heroine, Lady Kaede Shirakawa, find themselves, is vibrant and real. Lian Hearn takes a known world (Japan) and crafts another world just like it in which to set his story. There are many wonderful moments in this story and to tell them here would only lessen the experience. If you love detailed, well worded and unique character portrayal, please enjoy this title today!

I thought this suffered a little from "middle of the trilogy" syndrome. Dramatic events occurred in the first book, along with the introduction of many interesting characters. Here we seem to be in a bit of a holding pattern while everyone catches his breath and waits for the finale.Part of it was due to the overall intended atmosphere of the book. It is winter and everything slows to a halt--with only plans being made for when the snow clears and major campaigns can now be fought. Part is due to the mysterious Tribe--Takeo is amongst them, but only interacts with a few lower-members, whose relationships with him don't change much. And surprisingly little is revealed about them--save that what we have guessed or learned from the first book. I wanted a bit more of a climatic arc to be had with that part of the story, but it was not to be.However, the world remains beautifully, even sublimely rendered. And there is that subtle tension that underlies the events, which pulls the reader along. I greatly enjoyed the first book and am content with this, the second book, and wait eagerly for the conclusion to this compelling tale.

At this point, I've read all five of these books: the TALES OF THE OTORI trilogy as well as its epilogue and prequel. I read them contiguously and without pause--making sure that, before I finished one book, I had the next in hand. I would recommend the OTORI series for anyone who 1) has a modicum of interest in Japan, 2) likes a breath of magic, 3) enjoys surprise, 4) looks for the quality of nobility in characters, and 5) loves a good read. What's not to like!

This second book starts slow, like breathing in preparation for meditation but it abruptly ends. It left me yearning for more of Hearn's beautiful and tragic narration of love lost and found. I couldn't help but think that the amazing and most terrible moments of Kaede and Takeo's journey are all packed in book three.

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Sabtu, 05 Juli 2014

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Product details

File Size: 4081 KB

Print Length: 204 pages

Publication Date: February 11, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07NP1DQK3

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Amazon Best Sellers Rank:

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Kamis, 03 Juli 2014

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Product details

File Size: 3665 KB

Print Length: 71 pages

Simultaneous Device Usage: Unlimited

Publisher: Norsang Publishing House (June 30, 2017)

Publication Date: June 30, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B073MPY71S

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Amazon Best Sellers Rank:

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